fine art

Delicate Arch in Watercolor

When you think of Utah, an image of Delicate Arch from Arches National Park might be one of the first that pops into your head. It’s easily one of Utah’s most famous and iconic landmarks. Heck, it’s even on our license plates!

I have painted Delicate Arch a couple of times as little, fun paintings. The first was when I tried out some watercolor markers on a scrap piece of paper. You can watch a time lapse video of that painting here.

Another time I painted Delicate Arch was when I made a 5x7 birthday card for a close friend. That little painting I made into stickers as well. You can buy one HERE or by clicking on the image.

A couple of months ago, my youngest son requested I make a “big” painting of Delicate Arch and I figured it was time. By big, that’s usually on 11x14 paper. I am still working on organizing my studio space to accommodate larger paper.

I had lots of fun with this one using white gouache paint for the stars instead of masking fluid and really loving the warm purples in the shadows of the arch. I never get tired of painting beautiful red rock.

I have this painting available for sale at prints in 5x7, 8x10, and 11x14. Click on either of the images to link to those listings. This one will be available as a vinyl sticker soon.

HERE you can watch the time lapse video of this latest painting of Delicate Arch.

What should I paint next?

Lone Peak in Watercolor

I have wanted to do a larger painting of Lone Peak for quite a while. It’s the biggest and most prominent mountain that I see from the part of the Salt Lake Valley where I live. I periodically post images of my view on Instagram. You can see the vast differences in weather, light, and colors.

I did a little painting of Lone Peak at last year’s Art in the Barn, as it was viewed from the spot at Draper City Park where my booth was. When looking for photos of Lone Peak, there are many that are taken from the cirque; which is the little valley just below the summit on the east side of the mountain. When people are hiking to the summit, that’s the route that’s taken. I haven’t made it to the summit yet, so I didn’t want to post a photo of that view.

Lone Peak in Watercolor

The cross country team my kids run with does weekly trail runs from different trails throughout the south Salt Lake Valley and one park in particular, Steep Mountain Park, has one of my favorite views of Lone Peak. So that’s the view I went with.

I usually have a plan in my head on how I will do any of my paintings… whether it’s a starry sky and what colors it will feature, or a clear day with clouds. With this one, I literally had NO idea what I wanted to do with the sky. I started with a basic blue sky wash and then went in with some toilet paper to lift out some clouds. The AC was on in my house and my wash was drying really fast, so that plan kinda went out the window.

Once I had that first wash done and dry, I decided to come back to it after finishing what I wanted to do with the mountain.

I thoroughly loved playing with the purples and teals in the shadows and figuring out what kind of colors made the sheet granite cliffs that adore the top of Lone Peak. My youngest son watched me for a little while and I was SO PROUD when he noticed the differences in the warmer, yellow-y greens of trees in the sun and the cool, bluer greens of trees in the shade.

When the mountain was all done, I did another wash of my sky blue to make it all darker and then I busted out my Himi gouache paints to figure out some clouds.

My first pass was an attempt to do wispy clouds and I ditched that idea pretty quickly. I don’t have enough experience with gouache to try and make it wispy like I could do with oil paints.

Instead I focused on making them fluffy and tried to give them some dimension and scale. I really like how they turned out.

And then the washi tape I was using to hold the paper down tore off a little bit of the sky!! I was so mad! At least that is easily fixed after I scan the painting and open it in Photoshop.

I am working on a way to have this painting done as a trucker hat for the running club my kids are on and eventually, I will have this available as a giclee print. So stay tuned.

Supplies: (a few are affiliate links)

You can watch a time lapse video of the process here:

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Three New Stickers

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I added three new stickers to my shop this week. Click here to buy, share, gawk, critique, you know the drill. My #NPSLover stickers are listed first with my I ♥ Public Lands sticker right below them.

Up first is the painting I did last summer of the Milky Way over Sand Dune Arch at Arches National Park. I painted this during the weekend I spent at Draper’s Art in the Barn. It was a 2-day art exhibition (my first ever!), and I found it impossible to just sit or stand while people milled about, so I brought supplies to paint and ended up doing 3 small paintings.

Sand Dune Arch was a favorite spot of my kids when they were younger and didn’t much care about the awe of the park. Hike for just a few minutes in between these giant fins of sandstone and there’s an arch in there; it’s super short. It’s a wonderful spot to let little ones play in the fine sand and, depending on when you get there, you could rest in the shade. This spot can be super popular in the summer months when it’s hot. We’ve been to Arches multiple times, but only in April and May; which I HIGHLY recommend. Spring Break is a wonderful time to visit Moab.

You can click on the image to purchase a sticker too.

Next up is a painting I did of Corona Arch, just outside of Moab. It’s one of my favorite places ever and I did this painting for a client a while back to be printed on neck gaiters some day. For this sticker, I went with a new-to-me website, Jukebox Print, for these stickers and I LOVE how they turned out.

This is one of my favorite paintings and I had SUCH a fun time painting it. It was one of those times where I felt like I was in a groove and paper and paint just cooperated and coordinated.

Last up is Sundial Peak in Big Cottonwood Canyon and part of the Wasatch National Forest. I had to do some research to find out if this peak was on National Park Service land or BLM Land. I’m still not 100% sure, because I also see it tagged in the Twin Peaks Wilderness. This spot is close to where we live and it’s a hike I hope to do this summer. If I can plan it right (depending on snow melt and weather, we’ve had a TON of snow this winter), I want to do a backpacking trip there. It’s a tough trail with a lot of elevation gain, but it’s supposed to be worth it… barring the mosquito situation.

I painted this one just last month to help pull me out of a funk I was in. Finishing it, and subsequently making a few changes in Photoshop, really helped pull me out of my Winter Blues and the funk that I was in. I will have this available as a giclée print in a couple of sizes in the coming months.

I actually made a mistake when ordering this one as stickers. I didn’t pay attention to the wording on a sale and I ended up ordering 2x2 inch stickers. These are a lot smaller than I usually order, so I may just make these freebies to anyone who places an order.

I will order this in a 3x3 inch sticker at some point.

I want to paint some places that are gorgeous and not in Utah next. I have a few spots on my list like South Falls in Oregon, and I have a photo that I took of a beach in Half Moon Bay, California that I may paint. Any suggestions??

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4-Day Galaxy Skies Challenge

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As part of my effort to light a fire under my butt to paint more often, I decided to participate in a 4-day galaxy skies painting challenge that I saw on SkillShare with artist Swathi Ganesha. Click here if you’d like to try a month of SkillShare for free.

Day 1: Monochrome

Day One was a monochrome painting, so just one color. I chose Phthalo Blue from Daniel Smith Watercolor and went to town making a basic diagonal edge to the Milky Way. There was something very freeing about doing all I could with just one color. Click here to watch a time lapse of this painting. A couple of tiny mountains at the bottom added some depth to this one.

I painted the stars using white gouache paint and a splatter method where I tap two brushes together. This is a method I used a lot when I was doing galaxy-dyed shoes and baby carriers a few years ago. I would use acrylic paint and it gave the most awesome and varied sizes of stars, but I had very little control over where they landed, and sometimes I’d end up with an odd-shaped glob of paint that wasn’t round. Also, paint ended up everywhere! Those reasons are why I originally used masking fluid and white pens to make stars for my watercolor paintings, but after using this splatter method again, and with gouache this time, I think it’s going to help me level-up on my galaxy stars.

I have an awesome set of gouache paints from Himi that my sister gave me for Christmas.

Day 2: Duo Chrome

Day Two was Duo Chrome, so two colors. I opted for Phthalo Blue again and added Quinacridone Rose. I haven’t been using very high quality paper for these; just a 4x6 pad that I got from Michael’s. Today the paper bowed down the middle when it was saturated and the paint was pooling along the bottom. I managed to dab the puddle with a tissue in an attempt to salvage it, but I almost tore it up and threw it away. Once I added stars, the painting redeemed itself.

I added a few happy trees and I was happy with how it ended up. Click here to watch the time lapse of this one.

Day 3: Three-Color Seascape

Day three; a three-color seascape, proved to be the most challenging. I have a palette of watercolor from Culture Hustle that I tried to use for all three colors. The lavender and turquoise just weren’t pigmented enough. So attempt one went into the trash. With attempt number two, I tried to use Phthalo Green straight for the aqua shade along the bottom, but it was way too green and I scrapped that one too.

For attempt number three, I premixed that aqua color using Phthalo Green and Cobalt Blue. Then I used Imperial Purple and the bright pink called Runaway from the Culture Hustle Watercolour Palette. I absolutely hated how the colors were coming together when they were wet. But once it dried and I added stars, it was worth saving. After adding some more definition in the ocean at the bottom, it avoided the recycling bin.

Click here to watch a time lapse of this painting.

Day 4: Dreamy Landscape

Day four was fun because I could use pretty much anything I wanted. I chose to limit myself to only four colors: Indigo, Moonglow (that purple shade), Phthalo Green, and Cobalt Blue. These colors are more muted than the ones I used before, but I still love how they turned out. This time the paper was cooperative and I was happy with how the paint behaved. I tried to be more patient and waited longer after applying paint to see how it spread and I think it paid off.

I opted for a few more happy trees and I love how it turned out. Click here to watch the time lapse of this one being painted.

I had such a fun time with this challenge, maybe I’ll do it again next week but with all different colors. Maybe if I can paint enough of these little paintings, I can have them for sale.

Milky Way Over Sundial Peak & Winter Blues

Sundial Peak Watercolor

There’s something to be said about noticing when you’re in a funk and acknowledging that it’s okay and just rolling with it. I first noticed it with my kids. We’re all cranky and mornings are tougher than usual. I told them both that it’s normal for this time of year. The holidays are over, it’s cold, it’s dark, and spring and summer feel a million years away. It feels like there’s nothing to look forward to like we had in November and December. My kids and I have deemed it the Winter Blues.

*Not to be confused with actual depression. Seasonal depression is real too, and I dunno, maybe I get a touch of it this time of year?

Somehow, acknowledging that we’re all feeling it made it suck a little less. We are hanging in there and simultaneously enjoying the snow we’re getting and also anxious for spring to get here.

Last week I realized I hadn’t done any painting since the end of December. And before that, I hadn’t painted since August. I had no motivation or inspiration; which sucks because I live in such a beautiful state!

Imposter Syndrome loves these moments and chimes in with little tidbits that sound like, “you aren’t skilled enough to paint that,” “don’t even start painting that, you won’t finish it,” and the ever popular, “paint that and everyone will learn how awful/fake/not-a-real-artist you are.” She’s a sneaky bitch.

Last summer, during one of my weekend shows, a guy asked how I made the stars on my Milky Way paintings. I told him that I was trying out different techniques as I went; some I used masking fluid, some I used white ink, some I used both. He commented that on a couple, it was hard to tell if I was going for stars or snow. I took no offense because his comment came from a place of pure analysis, but it did make me think. A few of my paintings are small, 8x10 or smaller. So when I’m using masking fluid, it can be more challenging to paint smaller stars if; especially if I’m just flinging masking fluid off of a brush.

One such painting was this one of Sundial Peak and Lake Blanche. This is a local mountain to me and one I am hoping to hike or backpack to this summer. The first time I painted it, I used masking fluid to make the stars. I splattered it on the page and then erased it off when the painting was done. It acts similarly to rubber cement. This original is maybe 8x10 inches, and I didn’t have the patience to make smaller stars by using a tiny brush and doing one at a time. You can watch a time lapse video of how I made this painting here.

I wanted to repaint this mountain on larger paper and see what I could come up with. This version has a bit more snow, more sky, and less of Lake Blanche. I skipped using masking fluid this time and made all of the stars with white pens.

This one took me more than a few days. I would paint a small part and step away for a day or two before coming back to it. I wasn’t thrilled with the mountains, feeling like they lacked some depth. Then I wasn’t happy with parts of the sky; the blues not inky enough. I wasn’t sure how I wanted to show the little bit of Lake Blanche that shows at the bottom. The reference images I had showed dark green spots where it was iced over.

I overthought this one a lot. Heck, I still am. I already know a few spots I want to change in Photoshop; like that stripe of snow down the middle that I didn’t intend to go almost perfectly vertical, LOL. I’ll scan this one and make it into prints and stickers…. after I’m happy with it.

Here you can watch the time lapse of how it was made.

Here’s a list of the supplies I used; including links. Some are affiliate links.

…and the desk lamp that also holds my iPhone so I can make these cool videos.

What should I paint next?? I really want to paint locations that are outside of Utah, but I don’t love painting the same views of the most popular spots that everyone takes photos of. I kinda want to continue with public lands and National Parks too. Decisions…