stars

4-Day Galaxy Skies Challenge

As part of my effort to light a fire under my butt to paint more often, I decided to participate in a 4-day galaxy skies painting challenge that I saw on SkillShare with artist Swathi Ganesha. Click here if you’d like to try a month of SkillShare for free.

Day 1: Monochrome

Day One was a monochrome painting, so just one color. I chose Phthalo Blue from Daniel Smith Watercolor and went to town making a basic diagonal edge to the Milky Way. There was something very freeing about doing all I could with just one color. Click here to watch a time lapse of this painting. A couple of tiny mountains at the bottom added some depth to this one.

I painted the stars using white gouache paint and a splatter method where I tap two brushes together. This is a method I used a lot when I was doing galaxy-dyed shoes and baby carriers a few years ago. I would use acrylic paint and it gave the most awesome and varied sizes of stars, but I had very little control over where they landed, and sometimes I’d end up with an odd-shaped glob of paint that wasn’t round. Also, paint ended up everywhere! Those reasons are why I originally used masking fluid and white pens to make stars for my watercolor paintings, but after using this splatter method again, and with gouache this time, I think it’s going to help me level-up on my galaxy stars.

I have an awesome set of gouache paints from Himi that my sister gave me for Christmas.

Day 2: Duo Chrome

Day Two was Duo Chrome, so two colors. I opted for Phthalo Blue again and added Quinacridone Rose. I haven’t been using very high quality paper for these; just a 4x6 pad that I got from Michael’s. Today the paper bowed down the middle when it was saturated and the paint was pooling along the bottom. I managed to dab the puddle with a tissue in an attempt to salvage it, but I almost tore it up and threw it away. Once I added stars, the painting redeemed itself.

I added a few happy trees and I was happy with how it ended up. Click here to watch the time lapse of this one.

Day 3: Three-Color Seascape

Day three; a three-color seascape, proved to be the most challenging. I have a palette of watercolor from Culture Hustle that I tried to use for all three colors. The lavender and turquoise just weren’t pigmented enough. So attempt one went into the trash. With attempt number two, I tried to use Phthalo Green straight for the aqua shade along the bottom, but it was way too green and I scrapped that one too.

For attempt number three, I premixed that aqua color using Phthalo Green and Cobalt Blue. Then I used Imperial Purple and the bright pink called Runaway from the Culture Hustle Watercolour Palette. I absolutely hated how the colors were coming together when they were wet. But once it dried and I added stars, it was worth saving. After adding some more definition in the ocean at the bottom, it avoided the recycling bin.

Click here to watch a time lapse of this painting.

Day 4: Dreamy Landscape

Day four was fun because I could use pretty much anything I wanted. I chose to limit myself to only four colors: Indigo, Moonglow (that purple shade), Phthalo Green, and Cobalt Blue. These colors are more muted than the ones I used before, but I still love how they turned out. This time the paper was cooperative and I was happy with how the paint behaved. I tried to be more patient and waited longer after applying paint to see how it spread and I think it paid off.

I opted for a few more happy trees and I love how it turned out. Click here to watch the time lapse of this one being painted.

I had such a fun time with this challenge, maybe I’ll do it again next week but with all different colors. Maybe if I can paint enough of these little paintings, I can have them for sale.

Milky Way Over Sundial Peak & Winter Blues

Sundial Peak Watercolor

There’s something to be said about noticing when you’re in a funk and acknowledging that it’s okay and just rolling with it. I first noticed it with my kids. We’re all cranky and mornings are tougher than usual. I told them both that it’s normal for this time of year. The holidays are over, it’s cold, it’s dark, and spring and summer feel a million years away. It feels like there’s nothing to look forward to like we had in November and December. My kids and I have deemed it the Winter Blues.

*Not to be confused with actual depression. Seasonal depression is real too, and I dunno, maybe I get a touch of it this time of year?

Somehow, acknowledging that we’re all feeling it made it suck a little less. We are hanging in there and simultaneously enjoying the snow we’re getting and also anxious for spring to get here.

Last week I realized I hadn’t done any painting since the end of December. And before that, I hadn’t painted since August. I had no motivation or inspiration; which sucks because I live in such a beautiful state!

Imposter Syndrome loves these moments and chimes in with little tidbits that sound like, “you aren’t skilled enough to paint that,” “don’t even start painting that, you won’t finish it,” and the ever popular, “paint that and everyone will learn how awful/fake/not-a-real-artist you are.” She’s a sneaky bitch.

Last summer, during one of my weekend shows, a guy asked how I made the stars on my Milky Way paintings. I told him that I was trying out different techniques as I went; some I used masking fluid, some I used white ink, some I used both. He commented that on a couple, it was hard to tell if I was going for stars or snow. I took no offense because his comment came from a place of pure analysis, but it did make me think. A few of my paintings are small, 8x10 or smaller. So when I’m using masking fluid, it can be more challenging to paint smaller stars if; especially if I’m just flinging masking fluid off of a brush.

One such painting was this one of Sundial Peak and Lake Blanche. This is a local mountain to me and one I am hoping to hike or backpack to this summer. The first time I painted it, I used masking fluid to make the stars. I splattered it on the page and then erased it off when the painting was done. It acts similarly to rubber cement. This original is maybe 8x10 inches, and I didn’t have the patience to make smaller stars by using a tiny brush and doing one at a time. You can watch a time lapse video of how I made this painting here.

I wanted to repaint this mountain on larger paper and see what I could come up with. This version has a bit more snow, more sky, and less of Lake Blanche. I skipped using masking fluid this time and made all of the stars with white pens.

This one took me more than a few days. I would paint a small part and step away for a day or two before coming back to it. I wasn’t thrilled with the mountains, feeling like they lacked some depth. Then I wasn’t happy with parts of the sky; the blues not inky enough. I wasn’t sure how I wanted to show the little bit of Lake Blanche that shows at the bottom. The reference images I had showed dark green spots where it was iced over.

I overthought this one a lot. Heck, I still am. I already know a few spots I want to change in Photoshop; like that stripe of snow down the middle that I didn’t intend to go almost perfectly vertical, LOL. I’ll scan this one and make it into prints and stickers…. after I’m happy with it.

Here you can watch the time lapse of how it was made.

Here’s a list of the supplies I used; including links. Some are affiliate links.

…and the desk lamp that also holds my iPhone so I can make these cool videos.

What should I paint next?? I really want to paint locations that are outside of Utah, but I don’t love painting the same views of the most popular spots that everyone takes photos of. I kinda want to continue with public lands and National Parks too. Decisions…

Watercolor Prints are Here!

I’m doing a trial run of selling watercolor prints. I ordered a few and I’ll list them for sale. If there is enough interest and I can get them shipped with little-to-no hiccups, then I will order more and in some larger sizes.

Right now I have these available to order as giclée prints. Giclée is a printing method that ensures vibrant color and fantastic detail using archival inks. These are printed on acid-free, archival paper that has a matte finish and a subtle watercolor texture. I’m really happy with the print quality.

There are only a few available for each of the 5x7 and 8x8 prints. You can order them here or click on any photo and it’ll take you to the link to purchase.

Sundial Peak and Lake Blanche - Brighton, UT

Sundial Peak and Lake Blanche - Brighton, UT

Lower Calf Creek Falls - Boulder, UT

Lower Calf Creek Falls - Boulder, UT

Babylon Arch - Hurricane, UT

Babylon Arch - Hurricane, UT

Coyote Gulch - Glen Canyon National Recreation Area

Coyote Gulch - Glen Canyon National Recreation Area

Corona Arch - Moab, UT

Corona Arch - Moab, UT

I have decided that Corona Arch here won’t be available in any print larger than 8x8. The original painting is about 5x5 inches and when enlarged, the stars will start to look weird as they are enlarged too. Someday, I’ll repaint this on larger paper so it can make for a prettier print in bigger sizes.

What should I paint next?? I have a few pretty places on my list from the Uinta Mountains in Utah AND also a few spots in California. Stay tuned.

Corona Arch Time Lapse

I had a scrap piece of watercolor paper staring at me yesterday and my fingers were itching to paint a starry sky. I have been to Arches National park twice and neither time was I able to explore Corona Arch, which is just outside the park. Maybe next spring??

Alex Tebow Designs - Watercolor Corona Arch

Time lapse video of a watercolor of Corona Arch near Moab, UT. Materials: Daniel Smith Watercolor Paints Pocket Palette: https://art-toolkit.com/products/pal...

I was really happy with how it turned out and I realized I was totally channeling another artist I follow; Nikki Frumkin. She paints beautiful landscapes in the PNW. Go check her out: Drawn to High Places. Nikki, you really need to come and explore southern Utah. The contrast of the red and orange rocks is so amazing against a starry sky with blues and purples.

Alex Tebow Designs - Corona Arch Watercolor

I’m hoping to have a handful of stickers available of my paintings of beautiful spots in Utah’s public lands, so say tuned!!

For anyone interested, here are the materials I used (most of these are affiliate links):

Daniel Smith Watercolor Paints
Pocket Palette from Expeditionary Art
Trekell Watercolor Brushes
daVinci Travel Watercolor Brushes
Grumbacher Masking Fluid
Fluid Cold Press Watercolor Paper
Faber-Castell Pitt Brush Pens